Amapiano is collaborating with local music scenes all around the world to establish a safe place for cultural reinterpretation and exchange.
The fusion of house, jazz, and lounge music is sweeping the world, and it takes centre stage this week in Spotify: Music That Moves, a new content series that will tell tales about locally created music crossing borders and impacting culture throughout the world.
Amapiano emerged commercially in South Africa in 2019 and has quickly captured the imagination in countries as far afield as Japan, France, and Morocco and Spotify has spoken to some of the artists on the frontline of this vibrant movement about its impact and future.
In the interviews, South African artists DBN Gogo and Kamo Mphela explain why Amapiano resonates so strongly both at home and further afield. DBN Gogo describes it as a “way of life” and the first black African genre to break through since Afrobeat, whilst Kamo Mphela described Amapiano as “a culture… a movement”.
There are plenty of international artists who agree – for example, Japanese dancer FATIMATA who highlighted “a sense of closeness” brought about by the genre, and Kinshasa-born French artist Youssoupha, who described Amapiano in his interview as “the music without forcing…a music that flows by itself”. These comments reflect the laid-back style of the music that has connected with international audiences, which Youssoupha himself has infused into his latest album Neptune Terminus (Origines), in his trademark style of combining passionate music with lyrics that denounce racial and social injustices.
Kamo Mphela is also keen to highlight the role of technology which has allowed her to be a “boss girl” by enabling artist and music discovery through platforms like Spotify, helping to create an open and inclusive movement and a “safe haven” for women to develop their creativity and art.
The in-depth interviews also offer an insight into the future of Amapiano, with key take-outs finding the following…
Freedom to reinterpret and reinvent
The versatility and freedom that Amapiano offers as a genre has encouraged the sound to travel, blending and mixing with local scenes across the world.
“It’s an interpretation. That’s what the music is about,” said DBN Gogo. “How do you interpret it? How do you see it? How can you put your own spin on it? I don’t think I’d be anywhere without collaboration.”
Moroccan producer, audio engineer, and DJ, Flomine echoed these thoughts, saying: “When you mix Amapiano with traditional Moroccan music [gnawa], it connects people and when you introduce live instruments people just love it as it’s changing culture.”
DJ Mitokon, part of Japanese DJ crew TYO GQOM, added: “Amapiano will be listened to as [a version of] Amapiano unique to each country, I think. [Amapiano artists around the world will] be able to have a tighter and deeper relationship with one another… playing together equally.”
A cross-cultural exchange, borne out of South Africa
Whilst Nigeria has recently been seen as a hotbed of culture for African music, dominating recent musical exports from the continent thanks to artists such as Burna Boy, Wizkid, Tems and DaVido, Amapiano is the latest South African genre to put its artists on the global stage.
Spotify streams outside of Sub-Saharan Africa have grown more than 563% on the platform in the past two years, buoyed by major collaborations between Amapiano and Gqom artists and global stars such as Beyoncé, Gorillaz and Jorja Smith. And with over 920M global all-time streams of Amapiano to date, it is looking likely that streams on the platform will hit 1 billion in July this year.
Social Media and Amapiano: growing the scene via dance
The appeal of Amapiano is rooted in dance and rhythm, and platforms such as TikTok have helped export the movement to millions via devices all over the world – as Kamo Mphela says: “I will always see dance as a global language because everybody can relate to that.”
DBN Gogo added: “People don’t [need to] understand the lyrics but there is a dance that goes with it.”
Dancers such as France’s Andy Dlamini and Egypt’s Yara Saleh have helped propel Amapiano to new heights through social media, reaching a strong female audience, as Dlamini explains: “It’s part of my own DNA. I’m very aware of my feminine energy… I’ve just realised that there’s so much power in my movements as a woman.”
Mphela summarises the impact of social media:
“I’ve always wanted to blow up via social media, and that’s what happened. I blew up via a viral video and I’ve built my career from that. I have global superstars actually reaching out to me!”
The Future of Amapiano?
The global sound of Amapiano has come a long way in a short time but, like Afrobeat before it, this is a movement which is set to grow and grow as more cultures and scenes from across the world collaborate together to reinterpret the sound to make it their own.
